Desember 22, 2009

The History and Development of Mask Banjet

The art Mask Banjet has evolved over the period between the early twenty century to the present (year 1996) and also have experienced tidal conditions alternated.
Traditional arts, especially Banjet Mask, and other traditional arts are descendants of art, for example, mask pendul Asmu revealed to his son. Dasim mask down to reclaim his son, Ali mask is inherited from parents and the mask in Belendung Sapar. Furthermore basin is the main heir descendants Life Mask. If now the mask art crowd Banjet much, usually only a fraction of the original group as a group of Ali masks broke into three groups of party leaders Nyi Ijem mask Ijem (brother of Ali's brother), the mask is still a close family and entourage Askin Ali Ali Mask alone. Although the fragment is not large, but stands alone with the use of new players that are reinforced by the perpetrators of the core group.
From the facts above can be concluded that the figures covered the Banjet there in the early 20th century as many as seven groups of inherited and part of the previous generation might have been standing during the 19th century. KLARI addition, also has stood Banjet Mask arts groups in the Village Dewi Asmara Gokgik and arts groups in Banjet Mask KLARI Dayasari Warung Bambu village, while the leaders of arts groups defend Ali Banjet mask every name Asmara Power. Although this is not completely broken core players but they have been working together provide the power required in each group. Another effort is to train the players to finish the barn, both the children and Nayaganya doll.

As we know that art is the embodiment Mask Banjet community Creativity in the Performing Arts. Of course in our regional distribution will discuss Looking For consumer society. From the description above mentioned Banjet That's Mask Festival in his native Betawi Ronggeng based in Batavia (Jakarta) Developing Then add a new type of art that is beginning pentasan Ronggeng is connected dengail jokes and wearing masks lelakon which eventually called masks outside their distribution areas Banjet. Penyebaran mask named from its center lenong (Jakarta), especially to the western side of the Tangerang area, and slightly to the south and east regions of Bekasi, Karawang and Bogor Uatara (Cisalak). In addition, the arts also mask the Banjet Spreads to Subang, Purwakarta, and the Priangan. In these places Banjet adjust mask art with a sense of community, especially in style and language which in turn is a specialty sign (typical) for the growing arts and Flourishing in their respective regions. As an example mask Banjet Karachi, Karachi Ronggengnya Ronggeng style, singing and overall kawih use lelakon Sundanese Sundanese. In contrast to this growth in Bekasi with the overall kawih Sundanese language use pementasannya Bekasi (Jakarta language dialect). When we Observe further, the art of mask Banjet watched by many rural communities, whether a wedding, circumcision, or other kaulan event.

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